Radius
Review
Aimsir Theatre Ready to Take The Edinburgh Fringe by Storm
Gavin Jennings reviews Uncanny Valley, a debut by a new Trinity-born theatre company.
Observations
Radius Recap: A Year in Review
Ella Hussey discusses the highs, the lows and everything in between as she recounts her experience as Radius Editor.
Five Of The Best
Na Cúig Bhealach is Fearr: An Ghaeilge a Spreagadh
Déanann Abi Ní Mhuircheartaigh cur síos ar chonas is féidir linn níos mo Gaeilge a úsáid ó lá go lá.
Review
Léirmheas ar Cheoldráma Tara Ní Bhroin, Bláithín Faoi Bhláth agus a Ceol Cumasach
Déanann Eoghan Ó Ceallacháin cur síos ar cheoldráma an Chumainn Ghaelaigh.
Portraying Otherness in Modern Adaptations of Shakespeare for School Students
"An opportunity to teach tolerance wasted?" asks Amelie Lundskog.
Speaking with
No Clú Collective Allows for Audience Interpretation in the Absence of Words
Laura O'Callaghan speaks to Clara Sinclair and Louis Maxwell about No Clú Collective's experimental vision for theatre.
Speaking with
The Lír Commits to Sustainable Practices Under Theatre Green Book
"The show doesn't end at the get out."
Speaking with
In Conversation With: Gustav Parker Hibbett
"Icarus is black now! I think there is some power to be had in reclaiming that."
Speaking with
A Conversation with the CSC’s ‘Best Overall Society’, Trinity Musical Theatre
TMT Chairperson Lily Kate Hearns celebrates a triumphant year in conversation with Societies Editor Eliora Abramson.
Speaking with
Bach and Better Than Ever: The Success of Trinity Orchestra
Sadie Loughman speaks to Trinity Orchestra about their seamless blend between classical and pop music.