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Review

Trump, Truth and the Weakest Link, as Anne Robinson Speaks to the Phil

Robinson recalled an encounter she had with Charlie Haughey, and suggested Donald Trump as a possible new host of The Weakest Link.
By Dominic McGrath
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Review

Society Collaboration Presents Intimate Festive Recital

Last night, the Boydell room played host to an evening of festive music and food, presented by DU Germanic Society and DU Music.
By Rebecca Wynne-Walsh
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Review

Michael O’Leary on How Ryanair is Going to Take Over the World

Addressing Trinity Entrepreneurial Society, the CEO of Ryanair spoke about Ryanair’s relentless expansion and how the airline is actually trying to be nice to people.
By Sinéad Baker
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Review

Burnt Out Fashion Show Fuelled by Creativity and Rawness

Last night, the annual Trinity Fashion Society’s fashion show explored the pressures on both the fashion industry and students in aid of Pieta House.
By Danielle Olavario
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Review

Robert Ballagh and Pop Art as a Medium for Politics

Last night, the celebrated artist discussed his career as part of Trinity College Gallery's “The Swing of the Sixties” exhibition.
By Holly Brown
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Feature

Artificial Intelligence and the Apocalypse: The Science Gallery Launch 2017 Programme

Vice-Provost Chris Morash and Senator Lynn Ruane launched the gallery's new programme.
By Róisín Power
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Review

Glen Hansard Celebrates Artists Past in Vicar St Gig

Last night, the singer paid tribute to musician and close friend Mic Christopher on the fifteenth anniversary of his death.
By Pat Gannon
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Review

Book of Mormon, Bublé and Christmas Carols: Winter Showcase Hits the Right Notes

A beautifully decorated Powerscourt provided the backdrop to impressive performances from Trinity's best singers and dancers.
By Jenna Clarke-Molloy
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Review

Songs of Ice and Fire Sees Unique Fusion of Literature and Song

This evening, Trinity Literary Society hosted an evening of readings accompanied by music in the GMB.
By Grace Meagher
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Review

Abbey Theatre Announces Innovative Programme for 2017

After a year of controversy and commemoration, the theatre is now taking a more gender-conscious and contemporary approach.
By Annie Keegan