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Feature

Camden Calling: Food and Atmosphere on an Under-rated Dublin Street

From The Cake Cafe to slowly gentrifying shop fronts, Camden Street represents a unique slice of Dublin too-often left unexplored.
By Daniel McFarlane
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Review

On the Challenges Facing an Iranian Graphic Novelist, Marjane Satrapi Addresses the Phil

Brian Donnelly reflects on the acclaimed graphic novelist, illustrator and film director's acceptance of Honorary Patronage from the Phil.
By Brian Donnelly
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Feature

A Structure of the Neoclassical Grandiose at Trinity’s West Front

An examination of one of the city's grandest architectural structures, which welcomes Trinity students everyday.
By Holly Brown
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Review

A Bold Portrayal of the Power that Diets Can Award to Food: Bite Me

As Tiger Dublin Fringe draws to a close, Siobhan O'Leary Ashford reflects on Joanne McNally's thought provoking addition to the festival.
By Siobhan O'Leary Ashford
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Review

A Narrative Exhibition Exploring the Liminal Space Between Wakefulness and Sleep: Hypnagogia

Arianna Schardt reviews Alec Soth's latest photography exhibition, just finished its run in the Douglas Hyde Gallery.
By Arianna Schardt
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Review

The Return of Dublin’s Leading Platform For Spoken Word Art

As a first time attendee, Lee Jones investigates the diversity of performers on Slam Sunday's stage.
By Lee Jones
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Review

Dublin’s Opportunistic Outdoor Cinema Company, Happenings

Jennifer Wilson investigates the appeal of enjoying your favourite films beyond the comfort of your living room.
By Jennifer Wilson
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Preview

Opportunities for Charity, Presidential Buzzwords and Women in Politics: Your Week Ahead

Fionnuala Egan looks ahead to some of the best events on offer during the first week of term.
By Fionnuala Egan
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Review

A Journey Through Music, Movement and Puppetry: Tiger Dublin Fringe’s Glowworm

Annie Keegan reflects on Umbrella Theatre Company's latest visual storytelling experience.
By Annie Keegan
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Preview

The Play Within A Play: To Hell in a Handbag

As Tiger Dublin Fringe draws to a close, David Donovan looks at the festival's new take on a much loved classic.
By David Donovan