blank
Preview

Body and Soul, Jonathan Waterlow and the Future of Farming: Your Week Ahead

Week two is hopping – make sure to get out and about before essay season.
By Eimear Finan
blank

Young Talent B(l)ooms at the New Theatre

Written and directed by Trinity alumni, B(l)oom is a provocative feat of verbal theatre depicting a Dublin in disturbing decline.
By Gráinne Mahon
blank
Preview

Politics, KPOP and Package-less Cosmetics: Your Week Ahead

Ring in the new decade – and the new term – with an array of events run by Trinity's societies.
By Eimear Finan
blank
Speaking with

Rachael Lavelle is Finding Beauty in Songwriting Simplicity

Dublin songwriter Rachael Lavelle on the solitude of songwriting – and the value of creating music that listeners can connect with.
By Ellie O'Neill
blank
Speaking with

How Dublin’s Newest Literary Magazine is Welcoming the Unorthodox

Sonder, a new literary magazine in Dublin, has an ethos of accessibility and a fondness for the unusual, according to the duo who founded it.
By Martha Kirwan
blank
Speaking with

With Taifead, Eoghan Scally is Creating Space for Dublin’s Creatives

Eoghan Scally recently collaborated with former Horslips drummer Eamon Carr to create an immersive photo exhibition.
By Susie Crawford
blank
Speaking with

Crash, Bang – Thumper? Meet the Band Taking Dublin by Storm

Six-person band Thumper have made their mark on Dublin's music scene with a sound covered in fuzz yet still relatable to their growing fanbase.
By Joe Coughlan
blank
Snapshot

‘A Group of Friends in Tuxedos’: Trinitones Release First Single

The group have brought out a cover of Raglan Road by Luke Kelly.
By Danielle Varley
blank
Speaking with

Bowing Out With a Bang: The Gospel According to Otherkin

After seven glorious years, Otherkin have played their final notes together. The band talk about music, the future – and ending on their own terms.
By Joe Coughlan
blank
Speaking with

Conor Tobin is a Filmmaker on the Cusp of Old and New

Conor Tobin started making films after the recession hit. Ten years later, he's still producing works that are both visual and visceral.
By Stephen Patrick Murray