Arts

Normal People Week 2 Recap: A Sligo Betrayal, (the Start of) a Trinity Truce?

Episodes three and four of Normal People aired on RTÉ last night – with a masterful depiction of young love in all its raw clumsiness.
By Gráinne Mahon

Normal People Recap: Sublime Direction, Lashings of Sex, But No Trinity – Yet

Episodes one and two of Normal People aired on RTÉ last night – and delivered a masterclass in directing and adolescent dynamics.
By Stephen Patrick Murray

Lockdown Literature Part III: Books to Watch Birds By

In the third – and final – part of our Lockdown Literature series, more Trinity lecturers give you reading inspiration.

Look Up: With Apples and Atoms, Trinity Celebrates a Physics Great

Located outside the Fitzgerald Building, Apples and Atoms is one of Trinity's most distinctive artworks. Here's its story.
By Aoife Grimes

It’s Campus – As You’ve Never Seen It: Behind the Scenes of Normal People

Last July, Susie Crawford got exclusive access to the filming of Normal People on campus – finding a production that obsessed over every detail.
By Susie Crawford

Lockdown Literature Part II: Ulysses, and Avoiding Portuguese Horror

In the second of a new series, more Trinity lecturers tell us what they're reading mid-lockdown – and what they're steering clear of.

Lockdown Literature: Lecturers Give Their Pandemic Picks

In the first of a new series, Trinity lecturers tell us the books getting them through the coronavirus crisis – and offer some recommendations.

Look Up: Mary Robinson’s Dining Hall Portrait

A portrait of the former chancellor, unveiled last May, occupies pride of place in Trinity's Dining Hall.
By Aoife Grimes

Eanna Hardwicke, of Normal People and Vivarium, on Life in Lockdown

Eanna Hardwicke is one of Ireland's biggest acting talents. Now, he finds himself at home – and itching to get back to work.
By Stephen Patrick Murray

For Director Portia A Buckley, Creativity Comes From Community

The writer–director – with two generations of grandmothers who went to Trinity – talks breaking taboos and being drawn to a sense of place.
By Holly Moore