Theatre
In Smock Alley, Dublin Theatre’s New Lease on Life
Will Dunleavy looks at Scene + Heard, Smock Alley's new festival that allows artists to stage unseen or experimental productions.
Mental Health Week’s “Me Too Monologues” to Perform Untold Student Stories
The show, starting tonight, is about identity and is written and performed entirely by Trinity students.
A Minimalist Legacy
Will Dunleavy reviews Beowulf: The Blockbuster, the one man production that documents the intimate relationship between a dying father and his son.
Speaking With: Lauren O’Leary
Will Dunleavy sits down with Lauren O'Leary and tells us what we can expect from Philip Ridley's Mercury Fur.
The Gigli Concert is Saved by its Intellectual Merit Alone
Will Dunleavy reviews Grindley's naturalistic presentation of The Gigli Concert.
Waking the Feminists in Theatre
Nadine Flynn discusses the striking the gender imbalance of the Abbey Theatre’s 2016 programme, Waking the Nation.
Corn Exchange’s Through A Glass Darkly Is Sadly A Wasted Opportunity
Will Dunleavy Reviews Corn Exchange's adaptation of the Ingmar Bergman classic, which fails to capitalise on the potential of it's script and source material.
Speaking with Lee Samuel Wilson: “Ireland is a little country, full of amazing artistic talent”
Nadine Flynn sits down with Lir student and director Lee Samuel Wilson to discuss his adjustment to Irish theatre.
Chekhov’s First Play Deconstructs Theatre and Plays With the Pieces
Tim Leech-Cleary reviews Dead Centre's latest experimental production.
Clôture de L’Amour’s Lyrical Beauty Seems to Be Lost in Translation
Paraic McLean reviews Pascal Rambert’s Clôture de l’Amour, a play about separation translated from French.