Magazine Article

ROMES and the Building of an Irish/Canadian Music Empire

With their first EP already released, ROMES continues to gain popularity, backed by well-crafted anthems and a keen sense of brotherhood.
By Killian Barry

US Colleges Should Not Privilege a Racist History at the Expense of Students

By cherishing a Confederacy statute, the University of North Carolina is proving that US society has not discovered how to address its history of racism.
By Nicole Lam

Snow, Skyr and the Sublime in the Land of Fire and Ice

Far from a tourist trap, Iceland's Golden Circle offers a glimpse at the country's untamed natural pleasures and scenic splendours.
By Charlotte Ryan

With Creativity and Charm, all Superhero Films Should Look Like Doctor Strange

The film, starring Benedict Cumberbatch, must go down as one of Marvel's best superhero films.
By Naman Mittal

Despite a Tragic Storyline, The Light Between the Oceans Shines

Derek Cianfrance’s new film, starring Michael Fassbender and Alicia Vikander, perfectly captures a couple's heartbreak.
By Tory O’Neill

Exploring the Islands at the Edge of the World

Far from Japan's centres of innovation and technology is a technicolour haven for billionaires, fishermen and baby turtles alike.
By Ciara Pignatelli

Magic and Mysticism, as Dr Strange Turns the Marvel Universe Upside Down

The new film, starring Benedict Cumberbatch, promises something different from the usual Marvel blockbuster.
By Dara McWade

The Contradictions of a Crippled Country Verging on a Boom

John Bethell gets a crash course in Cuba's many contradictions, a country besieged by societal and political obstacles but possessed of a resilient charisma.
By John Bethell

Can’t Cope Won’t Cope Review: Dublin-Based Comedy Fails to Land

Eoghan O'Morain looks at Ireland's newest TV show, and finds it a squandered golden opportunity for high quality television.
By Eoghan O’Morain

Thirty Years on, Hong Kong’s Johnnie To is Still Making Waves in Chinese Cinema

The director behind some of the best Chinese cinema in the past thirty years.
By Eoghan O Móráin