Culture

Almost Home

Barry McKinley's powerful adaptation arrives at Bewleys, asking uncomfortable questions about belonging through the story of one man's defiant, humorous, and heartbreaking fight to stay.
By Lily Walsh

Five of the Best: Art Heists in History

By Eavan O’Keeffe

The Guilt of Grief

How, where, and why I grieve.
By Violet O'Neill

STEM and Societies

STEM students discuss their struggles in getting involved with societies, and why it is important to be involved at all.
By Anna Lopuchowycz and Anahita Aryan

ReelEconomy: Dive Deep with DUBES

The Dublin University Business & Economics Society (DUBES) is using Instagram to help people understand economic news.
By Saskia McDonogh Mooney

Why We Stay in a Relationship We Don’t Even Want to Be In

Examining the paradoxical nature of staying with a person long past a clear expiration date—why we do it and why we shouldn’t.
By Anonymous

Politics of the Modern Artist

A comment on the demonstration of politics by today’s film-makers, actors and singers
By Anna Lennox

Two Nights, Six Pubs, One City

How District and Beavertown, with the help of artists like Efé and John Francis Flynn, turned Dublin into a roaming stage.
By Halle Feest

Comhairle 3: Here’s What You Missed

All motions were passed with little dissent, OC reports shared.

Wake Up Dead Man: a Review

The third installment of Knives Out features a star-studded cast whose brilliant performances make the murder mystery only secondary to the story. Wake Up Dead Man is released in theatres November 26th and will be available for streaming on Netflix from December 12th.
By Freja Goldman