blank
Review

German Beer, Reeling and a Pink Party: Your Monday of Fourth Week

From a celebration of Oktoberfest to fundraising with Cancer Soc, there is plenty to do as Fourth Week begins.
By Brian Donnelly
blank
Review

A Dated Gaiety Theatre Setting and Clunky Translation in Corn Exchange’s The Seagull

Corn Exchange’s production of Chekhov’s most iconic play struggled to overcome a number logistical challenges.
By Annie Keegan
blank
Review

“The Voice” Paul Rodgers Plays 3 Arena with Bad Company

The band were joined on the night by ex-Bon Jovi guitarist Richie Sambora.
By Patrick Gannon
blank
Feature

An Ornate Archetype of Venetian Character, the Museum Building

Holly Brown investigates the high level of ornament on the exterior of campus’s most elegant structure.
By Holly Brown
blank
Feature

On the Beaten Track: the Peacock Theatre, the Abbey’s More Experimental Counterpart

Daniel McFarlane explores the lesser known theatrical institution renowned for its more controversial productions.
By Daniel McFarlane
blank
Review

Capturing Unobserved Moments in Daily Life, Samuel Laurence Cunnane

The photographer is currently displaying a series of prints in the Trinity-based Douglas Hyde Gallery that illustrate his uniquely observant eye.
By Holly Brown
blank
Preview

Light House Cinema Welcomes the Multifaceted Work of David Lynch

Robyn Kilroy looks ahead to the festival that hopes to prove David Lynch as more than just a director of the grotesque and peculiar.
By Robyn Kilroy
blank
Feature

The New Musical Theatre Society on Their Ambitious Production and Enjoying Their Craft

Brian Donnelly talks to Mairéad Hughes, Chairperson of Trinity Musical Theatre Society, as the society prepares for its first musical: West Side Story.
By Brian Donnelly
blank
Review

Understanding the Implications of Lost Pieces for Well-Known Writers

On Thursday, LitSoc welcomed Eadaoin Lynch to read Blacklegs, the lost play of Louis MacNeice.
By Chris Joyce
blank
Preview

A Contemporary Reimagining of Anton Chekhov’s The Seagull

Corn Exchange’s presents The Seagull at Dublin Theatre Festival, set in pre-revolutionary Russia.
By Annie Keegan