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Review

Challenging the Notion of France as a Tolerable Country

Last night saw the Hist and TCD French society collaborate to organise a Fourth Week debate conducted entirely through French.
By Grace Meagher
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The Nu Approach to a More Ethical Fashion Industry

Two Trinity graduates are using their swap shop formula to try and create a more sustainable fashion industry.
By Ciara Pignatelli
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Dublin’s Latest Artist Collective, Bad Soup

At their launch this Friday, the initiative will showcase a collection of works from some of Dublin’s best artists and musicians.
By Brian Donnelly
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An #IWelcome Exhibition, Paul Murray and a Pointless Quiz: Your Tuesday of Fourth Week

Fionnuala Egan makes her way through today’s busy line-up of Fourth Week events to let you know what is not to be missed.
By Fionnuala Egan
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An Eerie Start to the Halloween Season with DU Music’s Fourth Week Event

Tomorrow night, the society will present a screening of the horror classic Nosferatu with live organ accompaniment.
By Rebecca Wynne-Walsh
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With the 8×8 Festival, Drawing Attention to the Refugee Crisis

Organised by Suas Trinity in collaboration with DU Amnesty and Trinity Global Development Society, the photography and film festival aims to educate Trinity on what it can do to help refugees.
By Conor McGoldrick
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8×8 Festival, a Cuddle Party and Aengus Mac Grianna: Your Week Ahead

Fionnuala Egan looks beyond the chaos of Fourth Week to reveal the greatest society events on offer this week.
By Fionnuala Egan
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The Most Pertinent Issues Facing Trinity’s Societies and the Importance of Fourth Week

Ahead of Fourth Week, Benn Ó hÓgáin, the newly-elected Chairperson of the CSC, on the role of the governing body and their aims for the year ahead.
By Brian Donnelly
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German Beer, Reeling and a Pink Party: Your Monday of Fourth Week

From a celebration of Oktoberfest to fundraising with Cancer Soc, there is plenty to do as Fourth Week begins.
By Brian Donnelly
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A Dated Gaiety Theatre Setting and Clunky Translation in Corn Exchange’s The Seagull

Corn Exchange’s production of Chekhov’s most iconic play struggled to overcome a number logistical challenges.
By Annie Keegan