Culture
A Dated Gaiety Theatre Setting and Clunky Translation in Corn Exchange’s The Seagull
Corn Exchange’s production of Chekhov’s most iconic play struggled to overcome a number logistical challenges.
“The Voice” Paul Rodgers Plays 3 Arena with Bad Company
The band were joined on the night by ex-Bon Jovi guitarist Richie Sambora.
An Ornate Archetype of Venetian Character, the Museum Building
Holly Brown investigates the high level of ornament on the exterior of campus’s most elegant structure.
On the Beaten Track: the Peacock Theatre, the Abbey’s More Experimental Counterpart
Daniel McFarlane explores the lesser known theatrical institution renowned for its more controversial productions.
Capturing Unobserved Moments in Daily Life, Samuel Laurence Cunnane
The photographer is currently displaying a series of prints in the Trinity-based Douglas Hyde Gallery that illustrate his uniquely observant eye.
Light House Cinema Welcomes the Multifaceted Work of David Lynch
Robyn Kilroy looks ahead to the festival that hopes to prove David Lynch as more than just a director of the grotesque and peculiar.
Analysis
“John Lennon must be turning in his urn”: Trinity English lecturers on Bob Dylan’s Nobel Prize for Literature
Bard or barroom troubadour? Some of Trinity's top literature researchers wade into the debate surrounding Bob Dylan's Nobel Prize.
The New Musical Theatre Society on Their Ambitious Production and Enjoying Their Craft
Brian Donnelly talks to Mairéad Hughes, Chairperson of Trinity Musical Theatre Society, as the society prepares for its first musical: West Side Story.
Understanding the Implications of Lost Pieces for Well-Known Writers
On Thursday, LitSoc welcomed Eadaoin Lynch to read Blacklegs, the lost play of Louis MacNeice.
A Contemporary Reimagining of Anton Chekhov’s The Seagull
Corn Exchange’s presents The Seagull at Dublin Theatre Festival, set in pre-revolutionary Russia.