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Speaking with

Samuel Yakura Tells Us How to be The Perfect Immigrant

Blending spoken word poetry and playwriting, Yakura’s one-man show is set to open at The New Theatre as part of the Dublin Fringe Festival.
By Anastasia Fedosova
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Speaking with

Queerness, Ghosts and The Act of Translation: A Conversation with Seán Hewitt

Andrea Bergantino sits down with the author to discuss and review his latest work.
By Andrea Bergantino
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Preview

Mespil In The Dark Live: A Love Letter to Theatre

Mespil In The Dark Live by Pan Pan runs from September 5th to 10th, with an opening on September 6th at the Samuel Beckett Theatre.
By Anastasia Fedosova
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Review

Iron Annie Brings Love, Drugs, and Punk Rock to the Underbelly of Dundalk

The show, adapted from the novel of the same name, highlights Aoife’s struggles as she navigates the dangerous world of the drug trade and finding the love of her life.
By Ailbhe Noonan
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Preview

Tango, Classical Music and a Deal With the Devil at Smock Alley Theatre

Igor Stravinsky’s The Soldier’s Tale runs until June 4th at Smock Alley Theatre.
By Anastasia Fedosova
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Review

Constellations Crosses Dimensions to Find Courage in the Everyday

The show opened on May 11th and runs until June 2nd at the Gate Theatre.
By Anastasia Fedosova
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Preview

‘FREEHOUSE’ Makes a Madhouse of the Beckett Theatre

Pan Pan's latest production is an afternoon-long affair where audience members can come and go as they please.
By Anastasia Fedosova
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Preview

Trinity Women Graduates Celebrate 100 Years of Kinship and Connections

Titled 'If a female had once passed this gate...', the exhibition includes documents such as an 1895 statement from College Board on the feasibility of admitting women to Trinity.
By Ailbhe Noonan
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Review

‘Frankenstein: How to Make a Monster’ Fuses the Classic with the Contemporary

The show runs at the Gate Theatre until April 30th before playing at Cork Midsummer Festival on June 17th & 18th.
By Nia Willis
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Trinity Trend: The ‘Clean Girl’ Aesthetic

The days of block brows and heavy contour are over. Less is now very much more when it comes to makeup.
By Michelle Jordan and Sarah McCarthy