Radius Reviews

A Strong Recovery After Initial Poor Turn Out, Metropolis Live at Trinity

From the intimate setting of the chapel to the expansive Button Factory, Saoirse Ní Scanláin reflects on the collaboration between Trinity Ents, the Phil and Metropolis.
By Saoirse Ní Scanláin

Questioning Preconceptions of Global Inequality, Dr Dambisa Moyo Speaks to the Phil

The Zambian economist and best-selling writer spoke about the challenges facing the developing world and the importance of global trade as a solution.
By Alec Bickerstaff

An Evening of Atmospheric Horror in the Chapel

Last night, DU Music welcomed organist Rónán Murray to provide improvised accompaniment to the classic horror film Nosferatu.
By Killian Barry

Challenging the Notion of France as a Tolerable Country

Last night saw the Hist and TCD French society collaborate to organise a Fourth Week debate conducted entirely through French.
By Grace Meagher

German Beer, Reeling and a Pink Party: Your Monday of Fourth Week

From a celebration of Oktoberfest to fundraising with Cancer Soc, there is plenty to do as Fourth Week begins.
By Brian Donnelly

A Dated Gaiety Theatre Setting and Clunky Translation in Corn Exchange’s The Seagull

Corn Exchange’s production of Chekhov’s most iconic play struggled to overcome a number logistical challenges.
By Annie Keegan

“The Voice” Paul Rodgers Plays 3 Arena with Bad Company

The band were joined on the night by ex-Bon Jovi guitarist Richie Sambora.
By Patrick Gannon

Capturing Unobserved Moments in Daily Life, Samuel Laurence Cunnane

The photographer is currently displaying a series of prints in the Trinity-based Douglas Hyde Gallery that illustrate his uniquely observant eye.
By Holly Brown

Understanding the Implications of Lost Pieces for Well-Known Writers

On Thursday, LitSoc welcomed Eadaoin Lynch to read Blacklegs, the lost play of Louis MacNeice.
By Chris Joyce

Exploring Mental Health Through the Eyes of a Child, Every Brilliant Thing

As part of the Dublin Theatre Festival, Pavilion Theatre presents the worldwide premier of this intimate production.
By Bríd Nolan