Theatre
Behind the Scenes: DU Players
From start to finish, here is what happens on the day of a show with DU Players.
If I Can’t Have Power, I Want Piglet
Ultan Pringle explores the euphoria of power and the insanity of heartbreak in LemonSoap Productions’ latest play.
Surrealism and Loneliness Abound in The New Electric Ballroom
Enda Walsh’s long-awaited debut on the Gate Theatre stage is nothing short of extraordinary.
The Irish Theatre Awards Must Reflect the Diversity of Artists in the Industry
Awards are just one aspect of how Irish theatre needs to change to support racial diversity, writes Choy-Ping Clarke-Ng.
In Their Opinion: Sibling Rivalry Done Right in UCD Dramsoc Theatre
The play, directed by dynamic sibling duo Nessa and Laoise Molumby, deals with sibling rivalry and sisterly squabbles.
Othello (maybe a dance) Experiments with Integrity and Infatuation
Weaving dance, film, and theatre, John Scott explores race, domestic violence and human relationships in a physical approach to Shakespeare’s play.
Brotherhood, Blood and the Absurd in Jason Byrne’s A Whistle in the Dark
This adaptation of Tom Murphy’s 1961 play runs on the Peacock stage in the Abbey Theatre as part of the Dublin Theatre Festival until November 5th.
Window A World Explores Identity and Uncertainty
Window a World will run at the Dublin Theatre Festival box office until October 16th.
Mespil In The Dark Live: A Love Letter to Theatre
Mespil In The Dark Live by Pan Pan runs from September 5th to 10th, with an opening on September 6th at the Samuel Beckett Theatre.
Samuel Yakura Tells Us How to be The Perfect Immigrant
Blending spoken word poetry and playwriting, Yakura’s one-man show is set to open at The New Theatre as part of the Dublin Fringe Festival.