Radius Reviews

Women and the RHA: “It Took a Century”

An exhibit in The National Gallery of Ireland displays the work of the women who have been members of the Royal Hibernian Academy.
By Elly Christopher

If I Can’t Have Power, I Want Piglet

Ultan Pringle explores the euphoria of power and the insanity of heartbreak in LemonSoap Productions’ latest play.
By Michelle Schmidt

Secret Sessions Sees New Dublin Talent Team Up for a Good Cause

The third edition of this new series was organised in aid of the earthquake in Turkiye and Syria.
By Álanna Hammel

Snubs and Sweeps: Ireland Sees Limited Success at the 95th Academy Awards

Despite receiving 14 nominations, it was a cold night for the Irish talent at the Oscars.
By Eleanor Moseley

Surrealism and Loneliness Abound in The New Electric Ballroom

Enda Walsh’s long-awaited debut on the Gate Theatre stage is nothing short of extraordinary.
By Anastasia Fedosova

An Cailín Ciúin and Normal People Cinematographer Kate McCullough visits Trinity

The multi-award winning cinematographer gave a talk in the GMB this week as a part of the annual Trinity Arts Festival “TAF Talks”.
By Eleanor Moseley

In Their Opinion: Sibling Rivalry Done Right in UCD Dramsoc Theatre

The play, directed by dynamic sibling duo Nessa and Laoise Molumby, deals with sibling rivalry and sisterly squabbles.
By Álanna Hammel

The Banshees of Inisherin: Male Friendships and Hopelessness in a Bleak Land

The film premiered at the Venice Film Festival earlier this year.
By Eleanor Moseley

FAMILY LINES Explores the Challenges of Identity Split Between Two Cultures

Alice Rekab’s exhibit describes the experience of growing up mixed-race in Ireland.
By Ella Smyth

See How They Run: A Campy Agatha Christie Whodunit

Despite lacking in emotional depth, the film boasts a star-studded cast, a cleverly crafted screenplay and is definitely worth a watch.
By Eleanor Moseley