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Spooky Season and Social Justice: Your Week Ahead

Don't let the essays get you down.
By Clara Roche
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Review

‘iGirl’ Paints a Timeless Portrait of Female Pain

Caitríona McLaughlin’s directorial debut Marina Carr’s ‘iGirl’, starring Olwen Fouéré.
By Sáoirse Goes
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America’s Gun Paradox

Claire Stalhuth reflects on how residents of a country where mass shootings are a real and common occurrence can either live in fear, or live in denial.
By Claire Stalhuth
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Cruthú ‘Laethanta Sona’: Idir Tírdhreach Nua agus Teanga Nua

Cruthaíonn an léiriú Gaeilge de 'Happy Days' ar Inis Oírr go bhfuil tarraingteacht forleathan ag obair Beckett.
By Siothrún Sardina and Anastasia Fedosova
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‘Laethanta Sona’ is Beckett, But Not as You Know it

Presenting Samuel Beckett's 'Happy Days' in Irish on Inir Oírr displays the universal appeal of his work.
By Siothrún Sardina and Anastasia Fedosova
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Review

‘Keep Knocking on Doors’: LawSoc Awards Praeses Elit to Ryan Tubridy

The Late Late Show host was candid about his need to play to audiences, and was refreshingly honest about how much he enjoys his job.
By Eoghan Quinn
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Cinema is Trapped in a Trailer Travesty

Scintillating, mood-setting film trailers have been replaced by sickening ads for supermarkets and schools, writes Jessica Allen
By Jessica Allen
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Tough Topics and Tubridy: Your Week Ahead

Don't let the deadlines get you down.
By Clara Roche
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Review

‘Purple Snowflakes and Titty Wanks’ Boldly Blends Ribald Humour with Seriousness

Sarah Hanly’s bawdy debut play takes to the Abbey’s Peacock stage as part of this year’s Dublin Theatre Festival.
By Sáoirse Goes
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Grá for Glas: Veggie Luxury in Dublin

A fine dining delight for plant-based eaters and carnivores alike.
By Kate Burke